All Panini, Giovanni Paolo 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
72441 Adoration of the Shepherds  Adoration of the Shepherds   Date ca. 1755(1755) Medium Oil on canvas Dimensions 96.5 X 73.3 cm (37.99 X 28.86 in) cyf
19759 Departure of Duc de Choiseul from the Piazza di St. Pietro  Departure of Duc de Choiseul from the Piazza di St. Pietro   1754 Oil on canvas Gemäldegalerie, Berlin.
19758 Interior of a Picture Gallery with the Collection of Cardinal Gonzaga  Interior of a Picture Gallery with the Collection of Cardinal Gonzaga   1749 Oil on canvas Wadsworth Atheneum, Hartford, CT.
19756 Interior of Saint Peter's, Rome  Interior of Saint Peter's, Rome   1746-54 Oil on canvas National Gallery of Art, Washington D.C.
19755 Roman Ruins with Figures  Roman Ruins with Figures   1730 Oil on canvas National Gallery, London.
19753 Ruins with Scene of the Apostle Paul Preaching  Ruins with Scene of the Apostle Paul Preaching   1744 Oil on canvas The Hermitage, St. Petersburg.
28439 Ruins with Scene of the Apostle Paul Preaching  Ruins with Scene of the Apostle Paul Preaching   mk60 1744 Oil on cnavas 25x33"
19754 The Plaza and Church of St. Maria Maggiore  The Plaza and Church of St. Maria Maggiore   1744 Oil on canvas
19757 View of Rome from Mt. Mario, In the Southeast  View of Rome from Mt. Mario, In the Southeast   1749 Oil on canvas Gemäldegalerie, Berlin.
Panini, Giovanni Paolo
Italian Neoclassical Painter, ca.1691-1765 Italian painter, architect and stage designer. He was a highly prolific and versatile painter, best known for his numerous vedute of Rome, many of which focused on the remnants of the city's Classical past. Ceremonies and festivals often feature in his vedute, which thus constitute a lively documentation of contemporary topography, lifestyle and customs. In contrast to Bernardo Bellotto and Gaspar van Wittel, his treatment is picturesque rather than rigorous; he liked to enliven and animate his views by adding numerous figures. He worked exclusively in Rome and by the end of his career was the head of a thriving workshop that included the Frenchman Hubert Robert (in Rome from 1754) and Panini's son Francesco Panini (b 1738).



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